Teixeira, Frederico Fialho

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https://hdl.handle.net/20.500.11779/2749
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fialhof@mef.edu.tr
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03. Faculty of Arts Design and Architecture
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Former Staff
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0000-0003-2853-2343
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P-8214-2014

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Perception of Space in Architecture and Culture Study of Sensory Living3
Conference: 33rd International Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe) Location: TU Wien, Vienna, AUSTRIA Date: SEP 16-18, 20151
eCAADe 2015 International Conference1
2015 World Conference on Technology, Innovation and Entrepreneurship1
The Arts In Society International Conference1
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Now showing 1 - 9 of 9
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    Book Part
    Augmented Reality
    (2015) Teixeira, Frederico Fialho; Belek, M
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    1+1=3 Systems of Didactic Communication
    (2015) Belek Leandro, Müge; Teixeira, Frederico Fialho
    The construction of knowledge is a transitional element, as it is build in our minds and through empirical experience. Similarly, in order to experience space – whatever kind – one has to be present. Nonetheless as one is constantly immersed into a space, our mental space or knowledge is constantly producing new paths of connections, either consciously or unconsciously. "1+1=3 Systems of Didactic Communication" is an artwork that intensifies the question of education is not based on knowledge but rather creativity. Through a multimodal spatial experience we retraces how and why one may became influenced by creativity through a critique of education itself. Until it leaves its false paths, "1+1=3" demonstrates that knowledge will remain only a wordy dialectic if it is not exerted through creativity. Through a multimodal and virtual intensity, "1+1=3" prompts that digital knowledge and creativity must be rooted in experience for education to become a genuine evolution of knowledge. And in the quest for unanswered questions, the creative dimension of human life and the importance of intuition must be emphasized. A source of enquiry for students as well as educators, 1+1=3 reveals a philosophy that is always dynamic, blending humanity’s creative drive with its mastery in knowledge goes beyond an addition of factors. 1+1=3 was on display on Istanbul Modern Vitra Contemporary Architecture Series as a work under Dream to Realities Exhibition.
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    Improved Business Model Representation of Innovation Concepts
    (World Conference on Technology, Innovation and Entrepreneurship, 2015) Dorantes-Gonzalez, Dante Jorge; Küçükaydın, Hande; Özlem, Şirin; Bulgan, Gökçe; Aydın, Utkun; Son Turan, Semen; Karamollaoğlu, Nazlı; Teixeira, Frederico Fialho
    Except for academics and consultants, the concept and purpose of innovation (not to mention related concepts such as “Open Innovation", "Free-Intellectual Property Innovation," or "Open Source Innovation") is usually unclear for most entrepreneurs and other practitioners. It often times happens that newly coined terminology becomes misleading or may even include a certain degree of sensationalism, hence turning into a matter of debate for specialists in the realm of technology management. Such has been the case for the term “Open Innovation”, since the word “open” is mainly related to crowd sourced innovation, but not for the openness on intellectual property rights. Since innovation is about the commercialization of original ideas, so we propose a simple and visual business model setting to resolve these concepts. To this regard, the “Business Model Canvas” has been used in business and entrepreneurship to sketch and frame the key points behind the development of a startup. This model was suggested by Alexander Osterwalder (2008) in his work on Business Model Ontology, as a strategic analysis template for developing startups or documenting existing businesses. It describes the firm’s value proposition, partners, resources, activities, customer relationships, distribution channels, customers, revenue streams and cost structure. However, when it comes to innovative startups, this template does not explicitly include such significant innovation components as intellectual property, its alignment to strategies, and intellectual property flow. The present paper proposes the use of an improved version of the Business Model Canvas to originally represent different models of innovation like Open Innovation, thus providing a clear, visual and quick representation of their meaning, and consequently, contribute to a better understanding of different concepts of innovation.
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    Adhocratic Spaces
    (2015) Teixeira, Frederico Fialho; Belek, M
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    Spaciocracy
    (2015) Teixeira, Frederico Fialho; Belek, M
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    Citation - Scopus: 1
    Biology, Real Time and Multimodal Design Cell-Signaling as a Realtime Principle in Multimodal Design
    (2015) Teixeira, Frederico Fialho
    The common understanding of morphogenesis implies a three-dimensional evolutionary change in form witnessed in the developmental process of an organism. This evolutionary process emerges from cell growth, cellular differentiation and environmental changes that generate specific conditions between genotype and phenotype. The complex nature of these aspects is intrinsic to evolutionary biology, and its accurate implementation in bio-generated architectures potentiates a twofold understanding of different morphogenetic strategies and its spatial consequences. Within this premise the morphogenetic factors of cell-differentiation and cell-signaling become a crucial aspect in a real-time communication system between an archetype and space, thus performing within particular modes in which design correlates to space. The paper hypothesizes and tests the use of Cell-Signaling as system of communication that governs fundamental cellular activities within the process of Gastrulation. This process occurs in early cell-embryo development and where communication between cells is favorably active and cellular the structure is established. The Emosphera project is a technical re-contextualization of this specific morphogenetic process. The principles denote a genetic code of the object can be scripted in a CAD environment and reproduced real-time by means of communication through a multimedia platform, which render form as a consequential aspect.
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    Design Matrix for Modus Operandi
    (2015) Belek, M; Fialho, F
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