Please use this identifier to cite or link to this item:
https://hdl.handle.net/20.500.11779/2290
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Avcı, Ozan | - |
dc.date.accessioned | 2024-06-21T12:19:52Z | - |
dc.date.available | 2024-06-21T12:19:52Z | - |
dc.date.issued | 2024 | - |
dc.identifier.isbn | 9781032355825 | - |
dc.identifier.uri | https://hdl.handle.net/20.500.11779/2290 | - |
dc.identifier.uri | https://doi.org/10.4324/9781003327516-24 | - |
dc.description.abstract | Architectural representation plays a critical role as a creative tool, facilitating dialogue and mediation between designer and design. While traditionally viewed as an objective entity, it holds potential for creative expression. Architectural representation is traditionally associated with objectivity and aesthetic beauty. However, as a design tool, it should also embrace subjectivity. Subjectivity in architectural representation goes beyond the architect’s style or drawings, encompassing the presence of the subject within the representation. At this stage, architectural representation becomes related to bodily experience and every experience has its own deformations. The presence of bodily deformations in architectural representations transforms its rigid body into a body without organs. This “new” body may be defined as “beast” rather than “beauty.” In this chapter, I would like to discuss architectural representation as a body without organs to highlight its emancipatory and participatory characteristics that may trigger creativity within the context of analogue and digital worlds. I would also like to emphasize the relationship between beauty and monstrosity that a bodily deformed architectural representation may create and start a new discussion on the aesthetics of architectural representation. © 2024 selection and editorial matter, Chara Kokkiou and Angeliki Malakasioti; individual chapters, the contributors. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Taylor and Francis | en_US |
dc.relation.ispartof | Beauty and Monstrosity in Art and Culture | en_US |
dc.rights | info:eu-repo/semantics/closedAccess | en_US |
dc.subject | [no keyword available] | en_US |
dc.title | Architectural Representation as a Body Without Organs | en_US |
dc.type | Book Part | en_US |
dc.identifier.doi | 10.4324/9781003327516-24 | - |
dc.identifier.scopus | 2-s2.0-85191917220 | en_US |
dc.authorscopusid | 56740852100 | - |
dc.description.PublishedMonth | Nisan | en_US |
dc.relation.publicationcategory | Kitap Bölümü - Uluslararası | en_US |
dc.identifier.endpage | 186 | en_US |
dc.identifier.startpage | 179 | en_US |
dc.department | Sanat Tasarım ve Mimarlık Fakültesi, Mimarlık Bölümü | en_US |
dc.institutionauthor | Avcı, Ozan | - |
dc.identifier.citationcount | 0 | - |
item.grantfulltext | none | - |
item.fulltext | No Fulltext | - |
item.languageiso639-1 | en | - |
item.openairetype | Book Part | - |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
item.cerifentitytype | Publications | - |
crisitem.author.dept | 03.01. Department of Architecture | - |
Appears in Collections: | Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection |
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