Mimarlık Bölümü Koleksiyonu
Permanent URI for this collectionhttps://hdl.handle.net/20.500.11779/1947
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Article Düşeyi Olmayan Ev(Arredamento Mimarlık, 2021) Avcı, OzanEv, birçok mimarın kavramsal olarak üzerinde düşündüğü ve yapısal olarak denemeler yaptığı bir kavram. Felsefe ve psikolojide de ev kavramı insanın varoluşuyla, bu dünyada kendini konumlandırmasıyla, ikamet etmesiyle ve iç dünyasının dışavurumuyla ilişkilendiriliyor. Örneğin Martin Heidegger inşa etme, düşünme ve ikamet etme eylemlerinin birbirleriyle olan ilişkilerini sorgulayarak evin sınırlarını kavramsal çerçevede genişletiyor1 . Gaston Bachelard insan zihninin yapısıyla evi ilişkilendirerek mahzenden tavan arasına düşey bir kurguda evi şekillendiriyor2 . Benzer bir şekilde Carl Gustav Jung da kendi evini düşeyde gelişen bir kule olarak hayal ediyor3 . Bu noktada tamamen yatay bir kurguya sahip olan “Düzlemsel Ev” (Casa Plana) projesi bir evin kurgusunu, mekansal kalitelerini ve şiirselliğini tartışmak için farklı ve provoke edici bir örnek olarak karşımıza çıkıyor.Article Munzur Dağları, İnekler ve Beton(Arredamento Mimarlık, 2022) Avcı, OzanMaurice Merleau-Ponty “Düşünmek, denemektir, işlem yapmaktır, değiştirmektir” der1 . Arman Akdoğan’ın mimarlık ofisi IND [Inter.National. Design] de Kutluğ Ataman’ın Erzincan’daki Palanga’sında büyükbaş hayvanlar için tasarladıkları projede çokça deneme yapıyor. Malzemeden strüktüre birçok şeyi değiştirerek hem kendilerine tanınan özgürlük alanında deneysel bir yapı inşa etmeye hem de bu yere en uygun mimarlık düşüncesini geliştirmeye çalışıyorlar. Bu süreçte strüktürle ilgili Ahmet Topbaş’ın ofisi ATTEC ile birlikte çalışan ofis; üst yapı olarak betonarme katlı plak döşemelerden, betonarme kiriş ve kolonlardan meydana gelen yapının detaylarını birlikte geliştiriyorlar2 . Katlanmış bir beton plak görünümündeki Yarı Açık Sığır Besi Tesisi bu şekilde ortaya çıkıyor.Book Part The Emergence of Sensation in Architectural Representation(YEM, 2022) Avcı, OzanBook Part Filling in the Blanks(Domeine national de Chambord, 2019) Özdemir, Kürşad; Avcı, Ozan; Uzal, Derya; Serdar Köknar, Burcu; Sarısakal, BerilBook Part Architectural Representation as a Body Without Organs(Taylor and Francis, 2024) Avcı, OzanArchitectural representation plays a critical role as a creative tool, facilitating dialogue and mediation between designer and design. While traditionally viewed as an objective entity, it holds potential for creative expression. Architectural representation is traditionally associated with objectivity and aesthetic beauty. However, as a design tool, it should also embrace subjectivity. Subjectivity in architectural representation goes beyond the architect’s style or drawings, encompassing the presence of the subject within the representation. At this stage, architectural representation becomes related to bodily experience and every experience has its own deformations. The presence of bodily deformations in architectural representations transforms its rigid body into a body without organs. This “new” body may be defined as “beast” rather than “beauty.” In this chapter, I would like to discuss architectural representation as a body without organs to highlight its emancipatory and participatory characteristics that may trigger creativity within the context of analogue and digital worlds. I would also like to emphasize the relationship between beauty and monstrosity that a bodily deformed architectural representation may create and start a new discussion on the aesthetics of architectural representation. © 2024 selection and editorial matter, Chara Kokkiou and Angeliki Malakasioti; individual chapters, the contributors.Article Citation - WoS: 4Citation - Scopus: 3Architectural Design Research in Small Practices(Emerald, 2022) Aydemir, Ayşe Zeynep; Jacoby, SamThere has been a recently growing interest by architects in practice-based research and the impact of research. At the same time, several post-graduate architecture programmes with practice-led research agendas were founded. This shift towards architectural design research is analysed using the notions of “process-driven research”, “output-driven research” and “impact”. The study aims to investigate and unveil the link between graduate programmes and graduates with a research interest and to test the tripartite model of “process-driven research”, “output-driven research” and “impact” in the context of small architectural practices. The study uses a qualitative and exploratory research approach that includes 11 in-depth interviews conducted in 2020, during the first nationwide COVID-19 lockdown in the United Kingdom (UK) selected interviews were architects representing (1) members or alumni of practice-related graduate architecture programmes in London and (2) founders of London-based small architectural practices within the last decade. While focussing on the London context, the paper offers transferable insights for the key potentials of practice-led design research in small architectural practices and the actions that might improve research practice. This paper addresses a lack of studies on how design research differs between diverse types and sizes of architectural firms, why emerging small architectural practices increasingly engage with research and how this shapes their practice. This knowledge is important to fully understanding architectural design research and its strengths or weaknesses.Article Citation - WoS: 3Citation - Scopus: 1Metabolic Flows of Water in İstanbul in the Nineteenth Century: Tap Water, Waste, and Sanitation(SAGE Publications Inc., 2022) Sert, EsraConsidering the age of socio-ecological crises in which we live, the urgency of understanding the complicated relationship between society and nature is apparent. To achieve this, unfolding the urban metabolism of cities through metabolic flows from the perspective of urban political ecology will grow increasingly essential in the future. This paper aims to explore the concept of urban political ecology as a perspective for understanding emergence of a new urban metabolism in İstanbul in the nineteenth century through metabolic flows of water. The context of “metabolic” emphasizes labor as an agent for the very production of nature as urbanized nature through tap water, waste, and sanitation. It shows the transition and the conflict between the labor-intensive urban metabolism and capital-intensive urban metabolism of İstanbul, which started in the nineteenth century. The metabolic flows of water in terms of infrastructure were affected by the first impacts of foreign capital investments and capitalist relations.Conference Object Design Research and a Shift in Architectural Education and Practice(Editorial Universitat Politècnica de València, 2020) Aydemir, Ayşe Zeynep; Jacoby, SamResearch, once associated only with academia, now equally connects to learning and practice in architecture, as focus has shifted towards a wider design research community. Research has become inclusive of formerly marginalised areas such as process-oriented and practice-based research in the arts and humanities as well as applied commercial research undertaken by industry. Providing a first study of this shift, this paper explores why design research is of growing importance to architecture. It systematically analyses a selection of current cases at the intersection of architectural practice and education within the UK to survey existing design research approaches, and asks: How can design research transform and create new architectural practices and forms of education? Following this question, the paper discusses some of the design research models used across architectural practice and education.Article Contesting Labels: Revisiting Old Questionnaires(Cambridge University Press, 2020) Ada, Serhan; Yücel, ŞebnemAs a response to several questionnaires, manifestos, interviews, and letters that were included in the book Modern Art in the Arab World: Primary Documents, this article carries out a new questionnaire with seven artists form various backgrounds and geographies, in an attempt to update and re-question some of the issues that were highlighted in the collected essays. The questionnaire includes three questions, each focusing on a different issue. The first issue considers the validity of the term “Arab Art,” the second tries to identify the main dynamics of contemporary artistic production, and the last one questions the relation of contemporary production of arts to geography and history. The following interviews have been edited for consistency and clarity.Book Part The Role of ‘sacreds’ in the Political Agenda of the ‘reformist’ Ottoman Sultan Selim Iii (r. 1789-1807)(ANAMED, 2019) Ayşe Hilal Uğurlu; Yalman, Suzan; Ayşe Hilal UğurluSelim III was enthroned at a time when the central authority and image of the sultan was gradually weakening due to the Ottoman-Russian wars during most of the second half of the eighteenth century (1768-74, 1787-92) that emotionally and financially strained the empire. The number of military and political setbacks during his reign, brought about the questioning of both the extensive new order that was trying to be implimented as well as the legitimacy of the sultan himself. The escalating turmoil in the Arabian peninsula caused by the continued expansion of the Wahhabi-Saudi state after 1790’s, especially their disruption of the annual hajj and occupying Mecca in 1803, also effected Selim’s prestige as the defender of Islam and “the servant of the two noble sanctuaries” (hadim ul-haremeyn ül-şerifeyn) [Mecca&Medina]. This paper aims to examine the efforts of Selim III - who is commonly known with his reforms in areas such as the military, economy, trade, politics, and diplomacy- to counteract the weakening image of his religious leadership in the eyes of Istanbul residents through a case study of the reconstruction of the Eyüp Sultan Mosque.