How It Emerged That the Approach To Arts, Design, and Architecture Already Contains a Flip

dc.contributor.author İnceoğlu, Arda
dc.contributor.editor Kurban, Caroline Fell
dc.contributor.editor Şahin, Muhammed
dc.date.accessioned 2019-02-20T12:04:52Z
dc.date.available 2019-02-20T12:04:52Z
dc.date.issued 2016
dc.description.WoSDocumentType Article; Book Chapter
dc.description.WoSIndexDate 2016
dc.description.abstract Architectural education is open to Flipping by its very nature. Since 19th century, design studios have been at the core of very different models of architectural education. Design studios have always been always active learning environments where students learn by doing. Typically, students are presented with design problems to which they need to develop personal solutions. Thus, from the very beginning of their studies, students simulate how an actual architect would approach design problems. With each new design studio, they develop new skills or hone the ones they have already acquired. Such an approach immediately creates a learning culture which is based on active learning where students are challenged to take responsibility, to solve complex problems and develop their individual character as designers while being able to work in group environments. A design studio is not a course where information is given an it is expected the students learn and use that information. It is a collaborative learning environment. Thus, following the lead of design studios, flipping theoretical courses within the architectural curriculum and making them active learning environments should be almost natural. However, this is not necessarily the case. There is a wide gap in pedagogical approaches used between design studios and theory courses within architectural education (Allen, 1997; Chiuini, 2006; Smith, 2004; Oakley, B, Felder, R M, Brent, R; Elhajj, I, 2004). Courses on architectural technology (structures, construction methods, detailing) and to a lesser extent courses on history and theory of architecture are taught in more conventional ways with little emphasis on the application of the information discussed (Vassigh, 2005, 2009). Within this context, it is important to find ways to develop non-studio courses as active learning environments.
dc.identifier.citation Inceoglu A. (2016) ‘How it emerged that the approach to Arts, Design and Architecture already contains a Flip’ in Şahin, M; Fell Kurban, C. F. (eds.) The Flipped Approach to Higher Education: Designing Universities for Today's Knowledge Economies and Societies. Emerald Group Publishing, pp 165-173.
dc.identifier.uri https://hdl.handle.net/20.500.11779/402
dc.language.iso en
dc.publisher Emerald Group Publishing
dc.relation.ispartof The Flipped Approach to Higher Education: Designing Universities for Today's Knowledge Economies and Societies
dc.rights info:eu-repo/semantics/openAccess
dc.subject Architecture
dc.subject Flipped learning
dc.subject Architectural education
dc.title How It Emerged That the Approach To Arts, Design, and Architecture Already Contains a Flip
dc.type Book Part
dspace.entity.type Publication
gdc.author.id Arda İnceoğlu / 288379
gdc.author.institutional İnceoğlu, Arda
gdc.author.institutional İnceoğlu, Arda
gdc.author.institutional Şahin, Muhammed
gdc.coar.access open access
gdc.coar.type text::book::book part
gdc.description.department Sanat Tasarım ve Mimarlık Fakültesi, Mimarlık Bölümü
gdc.description.endpage 175
gdc.description.publicationcategory Kitap Bölümü - Uluslararası
gdc.description.scopusquality N/A
gdc.description.startpage 165
gdc.description.woscitationindex Book Citation Index – Social Sciences & Humanities
gdc.description.wosquality N/A
gdc.identifier.wos WOS:000414788100016
gdc.wos.citedcount 0
gdc.wos.publishedmonth Kasım
gdc.wos.yokperiod YÖK - 2016-17
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