İç Mimarlık Bölümü Koleksiyonu

Permanent URI for this collectionhttps://hdl.handle.net/20.500.11779/1945

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Browsing İç Mimarlık Bölümü Koleksiyonu by Author "Özgan, Sibel Yasemin"

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    A Historical Perspective To Fabrication in Architecture for Preserving Heritage
    (Education and research in Computer Aided Architectural Design in Europe, 2019) Özgan, Sibel Yasemin; Özkar, Mine; Hamzaoğlu, Begüm
    Digital technologies have recently been at the forefront of the causal link between making and design. A growing number of architecture programs of universities incorporates fabrication to the educational environment, and even to the curriculum. Fabrication technology is now considered among the set of tools students are expected to acquire a basic knowledge of and skills in. Nevertheless, the pedagogical potential of fabrication in communicating traditions of making is underused in an oversight of the continuity of the relevant know-how. Our position is that traditions of making can be the subject matter of fabrication with the objective to remedy the role of fabrication tools in architectural history, sustainable architectural production, and in the field of digital heritage. In this paper, we report on two comparative studies that illustrate how the instrumental factors of two historical crafts can be articulated using fabrication. © 2019, Education and research in Computer Aided Architectural Design in Europe. All rights reserved.
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    Geometrik Desenlerin Uygulanmasında Malzeme ve Zanaatın Etkilerini Çini Mozaik Üzerinden Okuma
    (Eğitim Yayınevi, 2018) Özgan, Sibel Yasemin; Özkar, Mine
    The diversity of the patterns seen in Anatolia reveals that these patterns are not merely the visual applications of the geometrical knowledge, but instead are design products that diverge based on different material and craft usage. We report on how diverse parameters related to making and material result in conceivable differences between pattern designs through the example of the works attributed to a master builder from Tus, namely Muhammad Al Tusi (Mehmet in Turkish art history literature). Muhammad Al Tusi was the owner of a ceramic atelier active in the thirteenth century Konya. The craftsmen working in this atelier materialized geometric patterns with tile-mosaic, a novel technique initially developed in Anatolia but seen across other geographies later on. This innovative material, which was developed at the turn of thirteenth century by ceramic artisans who migrated from Iran to Anatolia, played an important role in the stylistic alteration of geometric patterns. Based on analysis of the design processes and outcomes of the tile-mosaic craft applications on flat and curved surfaces, we show that artisans shaped pattern designs by considering material and spatial qualities in addition to the geometric rules.
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    Citation - Scopus: 1
    The Dividing of the Sphere in Domes of Medieval Anatolia
    (Springer Verlag, 2019) Özgan, Sibel Yasemin; Özkar, Mine
    The stylistic language of art and architecture in medieval Anatolia largely consists of geometric features with various levels of mathematical complexity. Whereas the two-dimensional graphic designs employ certain geometric relations and rules, theirmaking, in three-dimensional space, relies on the spatial material qualities and the overall architectural form more than just visual transformations. For understanding how their architectonic harmony was implemented, it is crucial to consider not onlythe geometric design but also other parameters such as the surface geometry, the physical properties of the material, and the crafting technique. Under the patronage of Seljuks in Anatolia, the rigorous application of the decoration program on historicalbuildings manifests a collaboration coordinated by a master builder between mathematicians, designers, and craftsmen. Geometric patterns were applied to all kinds of building surfaces. Dome decorations particularly addressed challenges ofbuilding with spherical geometry. We investigate the historical ways to construct continuous patterns on dome surfaces and how each simultaneously handles aspects of geometrical calculation, the design, and construction processes.