İç Mimarlık Bölümü Koleksiyonu
Permanent URI for this collectionhttps://hdl.handle.net/20.500.11779/1945
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Browsing İç Mimarlık Bölümü Koleksiyonu by Department "Sanat Tasarım ve Mimarlık Fakültesi, İç Mimarlık Bölümü"
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Conference Object A Historical Perspective To Fabrication in Architecture for Preserving Heritage(Education and research in Computer Aided Architectural Design in Europe, 2019) Özgan, Sibel Yasemin; Özkar, Mine; Hamzaoğlu, BegümDigital technologies have recently been at the forefront of the causal link between making and design. A growing number of architecture programs of universities incorporates fabrication to the educational environment, and even to the curriculum. Fabrication technology is now considered among the set of tools students are expected to acquire a basic knowledge of and skills in. Nevertheless, the pedagogical potential of fabrication in communicating traditions of making is underused in an oversight of the continuity of the relevant know-how. Our position is that traditions of making can be the subject matter of fabrication with the objective to remedy the role of fabrication tools in architectural history, sustainable architectural production, and in the field of digital heritage. In this paper, we report on two comparative studies that illustrate how the instrumental factors of two historical crafts can be articulated using fabrication. © 2019, Education and research in Computer Aided Architectural Design in Europe. All rights reserved.Book Part Conference Object Conference Object Conference Object Eklemlenerek Çoğalan Kentte Söylem Ötesi Bir Sorgulama ve Bir Anlatı Olarak Kentsel Kimlik(IAPS Culture & Space Network, 2019) Karababa, AvşarBu çalışma kentsel kimlik kavramını bir anlatı olarak anlamlandırarak, modernötesi paradigma içinden mimari üretim ve kent üzerinden küreselleşme bağlamında eleştirel ve ilişkisel bir perspektifle inceler.Book Part From Infrastructural Developmentalism To Mega-Projects: "the Istanbul Canal"(Peter Lang AG, 2022) Gülmez, Ünsal Nilay; Sezgin, Ahmet...Book Part Geometrik Desenlerin Uygulanmasında Malzeme ve Zanaatın Etkilerini Çini Mozaik Üzerinden Okuma(Eğitim Yayınevi, 2018) Özgan, Sibel Yasemin; Özkar, MineThe diversity of the patterns seen in Anatolia reveals that these patterns are not merely the visual applications of the geometrical knowledge, but instead are design products that diverge based on different material and craft usage. We report on how diverse parameters related to making and material result in conceivable differences between pattern designs through the example of the works attributed to a master builder from Tus, namely Muhammad Al Tusi (Mehmet in Turkish art history literature). Muhammad Al Tusi was the owner of a ceramic atelier active in the thirteenth century Konya. The craftsmen working in this atelier materialized geometric patterns with tile-mosaic, a novel technique initially developed in Anatolia but seen across other geographies later on. This innovative material, which was developed at the turn of thirteenth century by ceramic artisans who migrated from Iran to Anatolia, played an important role in the stylistic alteration of geometric patterns. Based on analysis of the design processes and outcomes of the tile-mosaic craft applications on flat and curved surfaces, we show that artisans shaped pattern designs by considering material and spatial qualities in addition to the geometric rules.Conference Object Grasping the Discursivity in Yeldegirmeni(Common Ground Research Network, 2017) Karababa, AvşarThe aim of this study is to scrutinize the transformation in Yeldeğirmeni, in order to understand and interpret the notion of culture as a narrative within the context of globalisation.Conference Object Mehmed Ziya: an Advocate of Ancient Monuments Between the Ottoman City and the Turkish Nation(2017) Sezgin, AhmetMehmed Ziya (b.1866-d.1930) was an avid promoter and writer of architectural monuments in the last decades of Ottoman Empire and the early decades of the Turkish Republic following his middle rank position in the civil bureaucracy. He was in a unique position as both member of pioneering civil organizations (Istanbul Muhibleri Cemiyeti) and the official associations for conservation (Muhafaza-ı Asar-ı Atika Cemiyeti). In the latter, he was one of the key people for recording and archiving the ancient monuments of Istanbul. This paper aims at analyzing his role in the history of preservation of heritage in Turkey through his writings, conferences and organization of commemorations. The focus will be particularly on his contribution to the popularization of the concept of the ancient monument (Âsâr-ı Atîka) and its promotion by commemorating the creators of the monuments. Drawing on his conferences and publications, I will present that Ziya’s selection of ancient monuments were towards a self-defining identity of the city and its architectural heritage. In it, how he reconciled the pre-Ottoman heritage of the city with Turkish patriotism and pride of citizenry will be one of the main discussion points. The paper will further discuss Ziya’s prominent role in commemoration of poets (Sheikh Galip – d.1799) and architects (Sinan- d.1588) as Ottoman heroes and linking them to the architectural heritage in contemporary Istanbul. Focusing on the commemorations of anniversaries of Sinan’s demise, I will reveal how his personal passion in ancient monuments of Istanbul coalesced with the patriotism of the First world War years as well as with the pride in citizenry. Beginning in 1921, these commemorations took place in front of Sinan’s tomb and covered speeches about and visits to his monuments. In their heydays in 1920s and 1930s, they promoted Istanbul as a composition of ancient monuments within the officially sanctioned rhetoric over the Turkish national genius in architecture. I will look at how Ziya positioned himself in the burgeoning division over the definition of the architectural heritage of the nation. Drawing on the analysis of these primary sources, the paper conclude with recognizing the role of individual voices in the formation of idea of architectural heritage of the nation.Book Part Book Part Conference Object Research Project Shift(2018) Karababa, Avşar; Sarısakal, BerilShift, MEF Üniversitesi öğrencileri, öğretim elemanları ve çalışanlarının kullanımına yönelik tasarlanan bir açık hava sosyalleşme alanıdır. MEF Üniversitesi Sanat, Tasarım ve Mimarlık Fakültesi’nden 13 öğrencinin 2 yürütücü eşliğinde tasarlayıp inşa ettiği Shift, kısıtlı bir alan içinde yüzen bir yapay topografya aracılığıyla mekanın kullanım sınırlarını yeniden üretir. Kütlenin girintili-çıkıntılı konturu, yatayda farklı kalabalıklara eş zamanlı hizmet eder, düşeyde oturma/yaslanma/yatma/toplanma/tırmanma durumları üzerinden mekanın kullanım olanaklarını artırır ve kullanıcıların mekanı farklı noktalardan deneyimlemesini olası kılar.Conference Object Conference Object Conference Object Book Part Citation - Scopus: 1The Dividing of the Sphere in Domes of Medieval Anatolia(Springer Verlag, 2019) Özgan, Sibel Yasemin; Özkar, MineThe stylistic language of art and architecture in medieval Anatolia largely consists of geometric features with various levels of mathematical complexity. Whereas the two-dimensional graphic designs employ certain geometric relations and rules, theirmaking, in three-dimensional space, relies on the spatial material qualities and the overall architectural form more than just visual transformations. For understanding how their architectonic harmony was implemented, it is crucial to consider not onlythe geometric design but also other parameters such as the surface geometry, the physical properties of the material, and the crafting technique. Under the patronage of Seljuks in Anatolia, the rigorous application of the decoration program on historicalbuildings manifests a collaboration coordinated by a master builder between mathematicians, designers, and craftsmen. Geometric patterns were applied to all kinds of building surfaces. Dome decorations particularly addressed challenges ofbuilding with spherical geometry. We investigate the historical ways to construct continuous patterns on dome surfaces and how each simultaneously handles aspects of geometrical calculation, the design, and construction processes.Conference Object Conference Object Conference Object
