İç Mimarlık Bölümü Koleksiyonu
Permanent URI for this collectionhttps://hdl.handle.net/20.500.11779/1945
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Browsing İç Mimarlık Bölümü Koleksiyonu by Publication Category "Kitap Bölümü - Uluslararası"
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Book Part Book Part Fading Boundaries: Insights on Learning "in Between" the Classroom Spaces(Springer international Publishing Ag, 2021) Soygeniş, Sema Esen; Baloglu, Yasemin Burcu; Baloğlu, Yasemin Burcu; Soygenis, Sema EsenAlong with the advancements in technology and shifts in approaches to education in our day, school architecture began to undergo significant transformations. Learning beyond the classrooms has emerged as a highlighted concern as well as the children's interaction with each other and their environment. Articulation of the changing pedagogical approaches and visions of the innovative, student-centered ideas of the twenty-first century through the physical characters of learning spaces has become a significant issue for research regarding the design of contemporary schools. The evolution of the formation of boundaries, borders, and thresholds defining the distinctions and establishing the relationships and hierarchies between the learning spaces at school settings constitutes a critical part of this process, which deserves attention. This chapter aims to search for boundary-related design suggestions for primary schools in Turkey, based on the data obtained through a field study conducted in Istanbul, which aimed to derive the current issues regarding the spatial use patterns in prototype-based, conventionally designed schools. It is believed that the effective inhabitation of spaces beyond the classrooms has a high potential to contribute to the realization of diverse educational activities and the introduction of more permeable physical and visual boundaries can support the enrichment of school environments.Book Part From Infrastructural Developmentalism To Mega-Projects: "the Istanbul Canal"(Peter Lang AG, 2022) Gülmez, Ünsal Nilay; Sezgin, Ahmet...Book Part Geometrik Desenlerin Uygulanmasında Malzeme ve Zanaatın Etkilerini Çini Mozaik Üzerinden Okuma(Eğitim Yayınevi, 2018) Özgan, Sibel Yasemin; Özkar, MineThe diversity of the patterns seen in Anatolia reveals that these patterns are not merely the visual applications of the geometrical knowledge, but instead are design products that diverge based on different material and craft usage. We report on how diverse parameters related to making and material result in conceivable differences between pattern designs through the example of the works attributed to a master builder from Tus, namely Muhammad Al Tusi (Mehmet in Turkish art history literature). Muhammad Al Tusi was the owner of a ceramic atelier active in the thirteenth century Konya. The craftsmen working in this atelier materialized geometric patterns with tile-mosaic, a novel technique initially developed in Anatolia but seen across other geographies later on. This innovative material, which was developed at the turn of thirteenth century by ceramic artisans who migrated from Iran to Anatolia, played an important role in the stylistic alteration of geometric patterns. Based on analysis of the design processes and outcomes of the tile-mosaic craft applications on flat and curved surfaces, we show that artisans shaped pattern designs by considering material and spatial qualities in addition to the geometric rules.Book Part Book Part Book Part Citation - Scopus: 1The Dividing of the Sphere in Domes of Medieval Anatolia(Springer Verlag, 2019) Özgan, Sibel Yasemin; Özkar, MineThe stylistic language of art and architecture in medieval Anatolia largely consists of geometric features with various levels of mathematical complexity. Whereas the two-dimensional graphic designs employ certain geometric relations and rules, theirmaking, in three-dimensional space, relies on the spatial material qualities and the overall architectural form more than just visual transformations. For understanding how their architectonic harmony was implemented, it is crucial to consider not onlythe geometric design but also other parameters such as the surface geometry, the physical properties of the material, and the crafting technique. Under the patronage of Seljuks in Anatolia, the rigorous application of the decoration program on historicalbuildings manifests a collaboration coordinated by a master builder between mathematicians, designers, and craftsmen. Geometric patterns were applied to all kinds of building surfaces. Dome decorations particularly addressed challenges ofbuilding with spherical geometry. We investigate the historical ways to construct continuous patterns on dome surfaces and how each simultaneously handles aspects of geometrical calculation, the design, and construction processes.
